A report from the front lines of the search for “truth” in Truth and Reconciliation, and a look at the people trying to make history accessible to aboriginals and non-aboriginals alike.
WINNIPEG—There are two sacred boxes in the offices of the Truth and Reconciliation Commission.
One is a bentwood box sculpted from a single piece of cedar by an indigenous artist. Its panels are adorned with the mournful carved faces representing First Nations and Métis who suffered through the residential schools era, when government-sanctioned institutions systemically tried to eradicate indigenous culture, tore apart families and operated havens for child abuse.
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